Ximena Garrido-Lecca

(b. 1980)


Una gruesa de chullos
2012-2013
Hand-coloured photocopy on accountancy paper
Series of 144, each one unique
42 x 30 cm
16.54 x 11.81 inches

Walls Of Progress: For The Economic Development
2011
Mud, straw, plaster, acrylic, wood
19 x 79 x 4 cm
7.48 x 31.1 x 1.57 inches

Walls Of Progress: For Works In The Land
2012
Mud, straw, plaster, acrylic, wood
20 x 68 x 8 cm
7.87 x 26.77 x 3.15 inches

Giancarlo Scaglia

(b.1981)


We never were the revolution
2011
Fiberglass, resin, plastic bags on steel sheets and wood
156.5 x 187.01 x 59.06 inches
397.5 x 475 x 150 cm

Fountain # 1
2011
Resin, fiberglass, plastic and stainless steel on wood
31.5 x 47.24 x 70.08 inches
80 x 120 x 178 cm

Fountain # 2
2011
Resin, fiberglass, shovels on stainless steel and wood
31.5 x 47.24 x 61.02 inches
80 x 120 x 155 cm

Group exhibition curated by Tatiana Cuevas, 2010

 

2010

 

Proyecto AMIL

Centro Comercial Camino Real

Lima

 

This first exhibition presents a group of works from the collection to which Juan Carlos Verme has been taking shape over the last twenty years. The pieces gathered here explore different approaches to architecture and landscape as environments that have a particular relationship to the void, that are independent of any links with scale or human presence.

 

Armando Andrade Tudela TRES MITADES

 

10th September – 12th December 2015

Opening: 10th September 2015, 7 pm 

 

Proyecto AMIL

Centro Comercial Camino Real

Lima

 

Armando Andrade Tudela’s work outlines a back and forth journey between different cultural worlds. Each series is a milestone in symbolic, aesthetic and discursive itineraries, which suggest but fail to provide an encounter. His works are a collision between different perceptual, sensory and intellectual frameworks whose references intertwine and merge.

 

2016

Representing the inaugural artist in residence at Proyecto AMIL, Martin Gustavsson will be residing and working in Lima for three months, commencing in February 2016. Gustavsson’s practice shifts the conventional aesthetics of painting, reinventing methods of installation and interaction. The medium of painting marks a starting point for reflecting on the impact of image making in relation to religion, homophobia and different types of colonialism.