Armando Andrade Tudela
(b. 1975)
Inka Snow
2006
Mixed media
30 x 265 x 202 cm
Inka Snow revisits experimental practices and models of collective life in the 1960s and 70s, as well as the social and ideological aspirations of the time. An architectural model of a community-housing complex lies under topographical scars topped by enormous lines of cocaine on a rugged terrain of snowdrifts. The term ‘Inka snow’ was used as slang for cocaine in Peru during the 1960s.
Rita Ponce de León
(b. 1982)
Es todo gracias a ti
2013
Wooden blocks, stone, polyurethane foam, fabric, volcanic stone, flagstone, PVC 236
329 x 329 x 95 cm
Elena Tejada-Herrera
curated by Florencia Portocarrero
11 August – 1 October 2016
Opening: Thursday 11 August, 7pm - 10pm
Proyecto AMIL
Centro Comercial Camino Real
Lima
Iván Argote: Actividades de grupo
Wednesday 6th of July
7:30 pm
Iván Argote: Films screening
Proyecto AMIL in collaboration with Museo de Arte de Lima - MALI
Wednesday, 1 June
7 pm
Speakers:
Diego Lama
Alice Vega
Armando Andrade Tudela
tres mitades
Read online / Download .pdf
This book was published on the occasion of the exhibition Tres Mitades by Armando Andrade Tudela at Proyecto AMIL.
With a text by Max Hernández Calvo.
Published by Proyecto AMIL in 2016
Edition of 500
English and Spanish
ISBN: 978-612-47129-0-6
S/.40 | $15
To purchase this publication, please email info@proyectoamil.org
LA MUERTE OBSCENA
The obscene death
Drawings 1982-1987
Read online / Download .pdf
Catalogue to accompany the exhibition Sergio Zevallos - La muerte obscena at Proyecto AMIL, featuring essays by Miguel A. López and Sergio Zevallos and complete reproductions of the series: Rosas, Cause your flesh is the new born sky, Altars, and Blood and Ashes. Variations on the flag.
Miguel Andrade
(b. 1975)
Porsche
2005
Polyurethane painting on paper
260 x 260 cm
Andrade's work is situated at the intersection of architecture and sculpture. In this liminal space, he addresses the constant confrontation between and questions the limits that separate the public and the private, the social and the individual, containers and their content.